Saturday, August 7, 2010

i know these streets
kazembe

1
noisy. wide. dirty granite. kinky asphalt. wet. then dry. then wet. i know these streets like the coins in my pocket. and like those coins these streets rattle/prattle their animal tales. monkeyshines. gorilla jones. leopards chasing spots. brown wrinkled hands shuffle ivory bones to connect black dots in tiny doorways where flocks of ashy faces with yellow eyes trace spontaneous patterns in the cardboard.

courtesans wearing cut shorts exposing pecan thighs strut back and forth madly in love with right now. they shoot crystal stares from dark eyes that comfort and tease and haunt. they be the sultry brown daughters of migrations from greenwood and grenada. i see there be arkansas and alabama in those magical hips. i see there be rosewood in those sugar sweet lips. they be. there be. me, i know these streets.

peppermint breath children laugh/zig zag past decapitated parking meters and rusted laundromat signs. just outside the cut-rate store, nappy jackie’s convo with that korean dude boils over into the crosswalk. a puffy black face in neon orange motions musically to small nieces and nephews on their way. first day. fourth grade. she is mother and missionary. prophet and protector of our priceless nieces and nephews.

2
there is a honey brown tenement on forty-seventh street. each night street lights cast their stingy glow on mahogany souls below. each night families hustle dinner. while outside, sin always finds it sinner. bulky shadows flick flicker in the velveteen of one a.m. these streets be a kaleidoscopic haze of fine silk shirts, copper rims, short skirts. and juke joints that float on cannabis smoke and elaborate dream sequences.

while down the street and around the corner on the right side of the left side, arguments ensue over the wrong drink poured or new shoes stepped on or the wrong woman stepped to. at two a.m. ruby puddles rest quaintly beside flattened aluminum cans, sidewalk weeds, and hopscotch marks. at three a.m. these alleys are alive with initiations and the incantations of purple sages whose cauldrons call out to me.

i know these streets like the coins in my pocket. and like those coins these streets rattle/prattle their animal tales. monkeyshines. gorilla jones. leopards chasing spots. i know these streets/its parkways, avenues, and boulevards. nomenclature custom cut from tempered glass. these streets they call. cyclical and cynical. these streets they call. i know these streets like the ever ugly beauty of timelessness.


© 2010 Lasana Kazembe

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a city speaks
kazembe

a city speaks its dream tales
spiteful allegories that whistle
and roar its gangrene streets
of rich noise and neon its
frigid children choke
its withered veins
and dry bones
like halcyon vapors
elastic
putrid

a city speaks its air in flame
and the corrugated rage of sons
and daughters frozen in time
deathly still / still as in death
mired in this space dancing
hot jig and hucklebuck
dancing habeas corpus
and the rhythm of bone smoke
on red clay and rooftops dancing
survival

iron worms crawling fast
creak past sagging brunette structures
silver deities inch their icy dominance
through coal black tunnels
and smug temples of gray glass
and steel / this city
it’s bowels shit green politics
whorehouses, and hot chicken

dark corners presage the witching hour
when thin men immerse themselves
in malt liquor and the greasy contortions
of caught catfish
migration men with neck bones
fattened on tripe
and trouble
nighttime echoes stir alchemy
sand and choruses of warm lust
this urban savannah converses
in forked tongues
bullets and bureaucracy
guns and butter
we the city and its pleurisy
we the city and its silent noise
undergirding spirit / flesh
we the city / grit and ham bone
people

carpetbaggers run from
cotton fields to cold flats
a city speaks its elixir yield of music
nets and slave narratives
red hot blues and mason jar laughter
from brown satin bellies in basements
where hang yellow bulbs warming bones
making greasy children golden
so speaks a city
incredibly
inarguably
beholden


© 2010  Lasana Kazembe

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good times 2010 - that was now this is then
kazembe

so we tell ourselves sell
toxic lies to ourselves
good times 2010    that was now   this is then
taxes    death    trouble
gritbone growl    screams executing dreams
executing men standing in long lines
we eat the details and slogans    hurry up and wait
mechanics of misery live in threadbare pockets
mechanics of misery live in poverty lines
winding west side to south side to shreveport to
lake street to lagos to okay to toby to obey
take this here cheese    and make it free
take these here woes    and make ‘em go
upside the heads of decapitated men deprecating
thought dreams of false liberty    orgiastic innuendo
take these here licks and stamps you broken
contemptuous spooks you
whining carpetbeggars    you
dilapidated porchmonkeys

take them go unkindly into warm velvet city nights
where stars are shards of thunderbird & night train glass
twinkling sharply embedded in black rubber asphalt
blood mirrors staining these streets        littered with happy
meals, sewer grills, coupe de villes
twist caps and pigeon shit staining soles
saved for hanging in chow lines
where you find things
like black dignity and respect
hiding behind things like
ham bones and weak old soup

that was now this is then
a knock upside the head    at midnight
bruises
chase we hughes’ naked shadows
forehead veins on display
intersecting hunger    hollow
hallways of echo screams and staircase piss
gang sex, youthful defiance and loosies    newport smokes
cheap jokes ‘bout the difference between white
christmases and black christmases and white
bail time and colored jail time and white work and
brown work and black work and yes work and no
work and ho work for sweet daddies
and sour mammas
don’t gimme yo’ white sighs and elevator
speeches    gimme black thighs and flowers and
curbs and schools that work and
work that pays and pay that paves way
for those behind me    gimme happy neighbors
and good cholesterol    gimme that    ‘stead of
food deserts and new reconstruction    ‘stead of
panty raids on black politicians    ‘stead of
naked shadows and dead children    ‘stead
of brutal police, cheap freedom, and muscatel
can’t they tell the difference
‘tween a gun and a phone?
cant’ you tell the sameness
‘tween projects and experiments?

that was now this is then

good times 2010
grit and poke for dinner
grit your teeth poke your lips
ask your mama    ask your mama you
soulless hopeless backward heathen you
child of slaves    oppressor lovin’ you
fake huggin’ twenty first century sharecropper
dried enfamil on your baby’s chin
you and yo’ folk sport that emaciated grin
too much salt pork and colored jokes
too many drive-bys and walk-bys
too many shootings and chicken shacks
too much faith in classism and cosa nostra
too many churches and church’s
too much crisco and cold chicken
too many nail shops and wig shops

dollar stores of ghetto glass
now and laters can’t even pass

too many poor black people with congested chests
lime green vests    return of the chimney sweeps and litter kings
stuff picker uppers, assimiliationist dreamers and biracial
ballot casters injecting themselves into the pekoe veins of tea party
vampires and crotchless strung-out soccer moms imagining themselves
divorced from the hurt of history and heritage and memories and massacres
that live on the occlusive outskirts of black hills and grey cities of cold metal
and white devils doing chaos magic conjuring hunter green jobs for angry
white dropins and olive green jobs for angry black dropouts to protect
private capital and central business districts and foreclosures fomenting
elephant tears on the verge of drowning us in empty hugs and bench warrants
and blue lights illuminating the angriness of restless nights of crosshairs
and crosses borne and worn by bloody born-again christians decorating back alleys
of terror and compromised tomorrows banking on black misery and exchange
rates for yellow houses that used to be black houses that used to be homes
in places called chicago and cleveland and detroit that used to be cities
where folks could breathe
black migrants
driven north dreaming
dreams for
black children dreaming
to taste sunshine
and freedom

and gorge themselves


© 2010  Lasana Kazembe 

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